How to find a fade

There are so many beautiful projects out there at the moment that call for a fade. From the original Find Your Fade Shawl and So Faded by Andrea Mowry to Fading Point by Joji Locatelli, there are loads of options, ideas and inspriations. But what is a fade, and how do you choose your yarns?!

First off, what is a fade? A fade in the knitting sense is a set of at least 3 skeins of yarn, each in a different colour. The colours should compliment each other and move from one to each other. They can be all in the same colour family from light to dark, or they can move drastically between a few colours. The more yarns you use the more options you have to move between colours.

Find Your Fade by Andrea Mowry

Find Your Fade by Andrea Mowry

Choosing your colours is arguably the hardest part, but here are a few ideas to help get you started. First off seeing the colours together in person can help tremendously to see how they move from one to the next. Secondly, yarns with lots of speckles leave a lot of options to move between colours as you can match the speckles as well as the main colours of the yarns. Brands such as Hedgehog Fibres and Garnsurr are a great place to start for this. Thirdly, don’t be afraid to go crazy! Sometimes an unexpected colour in the middle of a fade can really make the difference to tie the whole colour scheme together.

It can be hard to find enough colours that work together in one brand, so don’t feel committed to one single one. Especially when it comes to shawls there is a lot of flexibility to combine different brands and even bases to get the colours that you like best. As most fade patterns work with bands of textured stitches, the difference in texture can compliment and even highlight the bands. Just make sure that the yarns are of similar enough thickness and that they match the method of care you want for the finished piece, ie if you want it to be machine washable don’t use one yarn that needs hand washing. Other than that the world is your oyster!

We have recently had some customers ask for our help in choosing a fade for their project as they aren’t able to come into the shop themselves. Feel free to give us a call if you find yourself in a similar position, we are happy to put together a few options and send over pictures to help you decide!

Below we have included a few pictures of fades that we have put together for customers to help give you some ideas. All of these fades use yarns from a few different companies, mostly Hedgehog Fibres, Garnsurr, Fyberspates and Socks Yeah!. The colours used in each one are listed below each photo.

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Top Down:  Citrine, Frevil, Fonne Bered, Gryteflaks #13, Gryteflaks #18, Almandine and Pheasant

Socks Yeah! Citrine, Garnsurr Sokke Merino Frevil, Fonne Bered, Gryteflaks #13 and Gryteflaks #18, Socks Yeah! Almandine, and Hedgehog Fibres Twist Sock Pheasant

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Top Down: Gryteflaks #10, Method, Heavenly, Frost, Pesto, Risgard and Lundy Island

Garnsurr Sokke Merino Gryteflaks #10 and Risgard, Hedgehog Fibres Twist Sock Method and Pesto, Fyberspates Vivacious 4ply Heavenly and Lundy Island, and Qing Fibre High Twist BFL Frost.

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Top Down: Tweed Imps, Spiced Plum, Gryteflaks #18, Monarch, Ortle Mihifar, Fonne Bered and Gryteflaks #10.

Fyberspates Vivacious 4ply Tweed Imps and Spiced Plum, Garnsurr Sokke Merino Gryteflaks #18, Ortle Mihifar, Fonne Bered and Gryteflaks #10, and Hedgehog Fibres Twist Sock Monarch.

Which one is your favourite?

Yarn Pairings for Pom Pom Quarterly Issue 25 – Summer 2018

New magazine days are always fun here at the shop, and we are absolutely in love with the latest issue from Pom Pom Quarterly. Summer 2018 is Issue 25 for them and it does not disappoint. Spring can be a bit of a tricky season for knitwear but here there is loads of inspiration. One reason this issue is so good is that they have picked one of the best hot weather themes, it’s all about stripes! There are 11 patterns, ranging from sweaters, t-shirts, wraps and even a practical bag. We have matched each pattern with a yarn available here in the shop to help inspire your knitting and summer projects. The yarns featured are all fantastic for summer projects, and highlights some of the non-wool and vegan yarns that we carry. 

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First up is Anni, by Gina Röckenwagner, a t-shirt that is simple in shape but not in style! It features both horizontal and vertical stripes using three colours, with one of the colours used for solid cuffs, hem and neckline. There is so much fun to be had with this pattern in terms of choosing colours, from bold contrasts to more subtle shades. With this in mind we would recommend the Nurturing Fibres Eco-Cotton, which we carry in 18 different colours.

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Next up is Bayadere, by Lori Versaci. This boxy, oversized sweater is a cozy best friend to reach for all year round! Knit up in a cotton/wool blend like Spud & Chloë Sweater it works brilliantly as a transitional garment between the seasons, as well as those unseasonably cold evenings that are inevitable in a British summer! It uses three colours in a mix of textural stripes.

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Deauville by Tina Tse is versatile boxy tank top. Worked in stripes that seem simple from afar, they also feature a subtle texture up close that stops it from being too stark. The recommended yarn is one we carry, Wool and the Gang’s Shiny Happy Cotton, its wide colour palette again means that there are loads of options for colour combinations.

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Herrera by Paula Pereira would make a fantastic beach cover up with it’s boxy super oversized casual look. Knit in a linen it is also easy care and will only get better with age and wear. We recommend the Växbo Lin Lingarn 12/2 which comes in a wide range of bright summery colours.

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Next up is Lia Moya’s Judoka, a striped bag with a fun construction. Knit in one long piece it is then seamed to create the over all shape, and two corners are knotted to create the handle. Using a few colours of stripes this would be a good stash buster to use up leftover bits and bobs, but we would also love to see it in the Nurturing Fibres Eco-Fusion, a blend of bamboo and cotton.

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Leiden one of our favourite patterns out of this issue, but we might be biased as it was designed by Natalie Selles, our resident knitting teacher here at the shop! It turns usual striped tops on its head by including chevron stripes that run both vertically and horizontally in a panel that is knit first. Stitches are then picked up and knit outwards from there, joining up with the back to knit the sides and sleeves. There are attached i-cord edgings for a polished finish on all the hems and cuffs. Because of the modular construction there is absolutely no seaming in this top! Overall this top works as a both formal and casual wardrobe addition that is sure to get plenty of use in any wardrobe. To add to the comfortable feel of the shirt, we would love to see it knit up in The Fibre Co.’s Luma, a summery lush blend of wool, cotton, linen and silk.

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Macklin by Susanne Sommer is a beautiful oversized wrap knit using short rows to create a bias for maximum drape. The brioche is two colour with hardly and contrast, and then 2 contrasting stripe colours for a total of four colours used all together. We think that Hedgehog Skinny Singles would work brilliantly for this project, with loads of colour options to choose from. The contrasting stripe colours use only a very small amount of yarn, so perfect for using up any leftovers you may have from other projects.

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Nasreen by Lana Jois is another pattern taking traditional garter stitch stripes and turning them slightly on their head for a biased effect. The tunic shape is easy to wear, featuring a rib at the top and bottom and a finished edge on the armhole worked in a single colour. A yarn such as Stollen Stitches Nua, a mix of merino, yak and linen, continues the drapey feel of the design.

Nasreen_by_Lana_Jois_Pom_Pom_Quarterly_Issue_25_Summer_2018_07_medium2Another top using the garter ridge stripes is Riley, by Amy Christoffers. It features a bottom panel knit side to side, from which the centre panel is knit vertically on both the front and the back, last of all the side panels are picked up and knit outwards towards the sleeves. This is another perfect occasion to use the Nurturing Fibres Eco-Cotton, with it’s range of colours and soft fabric.

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The last garment from this issue is Tarmac, by resident Pom Pom writer Anna Maltz. This swingy tank top is worked from top-down using a provisional cast on to work the front and back separately, before joining again at the underarms to work the rest of the body. The shape is created from yarn over increases in the body, and all the edges are finished with a striped applied i-cord edging. For something this lightweight we love the idea of knitting it up in The Fibre Co. Meadow, a luxurious blend of merino, llama, silk and linen.

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Last but not least is Vasarley, an oversized wrap from Julie Dubreux of Julie Knits in Paris. The rectangular wrap is worked from the centre of one of the short sides for a chevron/bias effect. It is worked in two colours using slipped stitches to create the overall striped look. For an extra drapey look Manos del Uruguay’s Serena would be perfect.

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This issue is proof that knitting doesn’t have to be confined to the winter months, there are so many options and ideas for summery, hot weather garments and accessories out there! Any pieces catching your eye? The issue is currently up for pre-order on the website and will be shipped out by May 25, 2018.

What George Knits – Knitting with Nature

We have a lovely selection of natural dye products, books and yarn in store at Knit with Attitude and this has inspired some natural dying of my own.

I can’t recommend highly enough the two books we stock on natural dying. These make great go to resources on the magic of nature and the variety of colours at your fingertips. The two books we have are ‘The Modern Natural Dyer’ by Kristine Vejar and ‘Botanical Colour at your Fingertips’ by Rebecca Desnos. Not only are these books so stunningly beautiful, but they present themselves in a easy to follow way. Everyone should have a go!

My first attempt at dying was to dye yarn. I chose an un-dyed merino as my base, but any un-dyed yarn we have in store will work for you. Like the white Knit by Numbers KBN55 or the undyed Purl Alpaca Fine and Medium yarns. It does however help if the yarn is in a skein, as this allows the dye to move around the fibre more easily, resulting in a more even colour. Though turning a ball of yarn into a skein can be done by winding it around the back of a dining chair for example, then tying it in places so it doesn’t tangle, then sliding it off. Also to note as I found out later, different yarns can effect the colour, so I would try all sorts.

I dipped in and out of both books for my first attempt, choosing the scouring and mordanting techniques of Kristine Vejar, I prepared my yarn. With that done I flicked through the Rebecca Desnos book for plant inspiration. Botanical Colour at your Finger tips is more of a guide book, where as with the Modern Natural Dyer you learn through fun little projects. So
depending on the way you learn either could work for you.

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For my first dye I decided on using stinging nettles, hoping for a wonderful grassy green. So off I went, armed with some thick gardening gloves and a large plastic bag. I popped to my local woods, where they grow plentifully along the sides of the pathways. I will say as Rebecca Desnos points out, be mindful when foraging, collect weeds and invasive species
first and not in the same area, to not destroy the habitats of the wildlife that live there. Walking around the woods like a madman I collected my nettles and with my bag full and only being stung once, I headed home. With an old pan bought from a charity shop specially for the job, I boiled up my leaves. One thing I will say, boiling nettles does smell very appetising. The whole flat smelt very strongly of nettle tea.

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When strained of the plant matter, I was left with a pot of what looked like a pan of overly stewed brown watery tea. Not disheartened I carried on and in went my prepared yarn. The whole process is like alchemy or witchcraft and I left my yarn bubbling away in its nettle broth. When the allotted time was up I pulled it out and guess what it was green! All be it a very pale shade of green. But it was my green, my first naturally dyed yarn. Its a great feeling having created something that is unique to you and unique to your surroundings. Its from the earth, its nature.

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As you could well imagine I was excited to knit it up straight away. I chose the Arvia Shawl from Amirisu 13 which champions natural colour and has some interesting articles worth a read.

Intrigued by the dying process and how it might react to different fibres I tried another dye. This time oak galls, which I read historically were used to create inks. So the potential for a dark moody colour really got me excited.

0706Back to the woods I head and like a pig rooting around for truffles, I scour the forest floor for the deformed acorns that are caused by the gall wasp. These boiled up with an intriguing woody smell and the dye pot looked as dark as can be. All good so far. I sieved out the galls and popped in un-dyed merino, a new wool and some mohair and waited for the
results. I have to say I was pleasantly surprised. I was expecting a dark brown but got an olive green with subtlety different shades over the different fibres. The Modern Natural Dyer has a project where you make a shawl out of dyed different fibres and you learn through the process. A pattern for me to try in the future I think.

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My latest dying attempt and actually what hooked me into The Modern Natural Dyer book, wasn’t a project to dye yarn but to dye fabric. Kristine Vejar takes you through all the steps you need. I chose a natural piece of fabric and prepared it to her instructions. Then went rummaging around my garden for any brightly coloured flowers I could find, luckily I went a
bit overboard with the flower beds this year so there were plenty to choose from. If you don’t have a garden, try a brightly coloured bunch of flowers from the shop. Certain flowers work better than others but its worth a try. I may plant more dye heavy flowers next year as a result of this, like cosmos and marigolds.

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Boiling up my flowery bundle and then unravelling my finished fabric was pure joy. Some flowers took and some didn’t but the result was beautiful. Like a watercolour painting or an ink blot test. Definitely one to try again.

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If you fancy having a go at dying yourself we also have natural dying kits by Hey Mama Wolf. These have the materials you need to dye fabric or yarn with dried flowers and plants at home. If natural dying doesn’t appeal to you and you love the natural look of plant dyed fibres then try the Hey Mama Wolf sock yarn we stock. They are hand dyed with a dreamy
selection of natural materials. As a result they have a range of colours that are gentle and pleasing to the eye as the natural environment they came from.

Interview with Layla from Qing Fibre

We have been so enjoying having Qing Fibre in the shop this summer, the bright colours are so much fun! It’s been flying off the shelves and onto everyone’s needles, but we recently got a restock and some new colourways in. We asked Layla, the brains and head dyer at Qing Fibre to answer a few questions that we have about her inspiration and of course, all about her beautiful yarn!

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How long have you been knitting?

My grandma was very good at knitting/crocheting and sewing, so I guess I was inspired by her since I was a little girl. I started crocheting and knitting in 2012 and I found peace by doing these crafts. It helped me to get through many difficulties.

What inspired you to get into dying?
I studied art design at university and so I can do some painting. I taught myself how to dye yarn in 2016 and started Qing Fibre. It’s my happy place to try different methods to paint colours on yarn. And I feel so much joy watching people knit with them.

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 You are originally from China, do you find that there is a different colour aesthetic in Asia than in Europe? Does this influence your dying? 
In China people love red, yellow and some vintage colours. But I myself am a little bit different, I’m a neon lover. I also love all the happy colourful colours and antique colours. I sometimes translate some classic old Chinese colours into my kind of colours.
 Qing-Fibre-4Are there any knitters in the community that inspire you?
There are so many great designers that have inspired me, I love Joji Knits, Junko Okamoto, Hansigurumi, and Stephen West is the King of knitters! I love all the fun and colourful designs from him. Sometimes I dye a new colourway just for a West Knits project. So he is truly my inspiration.

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 How do you develop a new colour way? Do you start with a specific combination in mind, or is it a happy accident? 

I’ll start with a combination in mind and also just dye it sometimes. I find interesting colour combos in everything and I’m eager to try them in the future.

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 What’s currently on your needles?
Currently I’m knitting the Marled Magic Shawl, a So Faded Sweater and am trying to knit something without a pattern. I’m also going to knit one of the sweater designs from Junko.

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Thanks so much Layla! You can see the Qing Fibre yarns we currently have in stock on the website or in the shop. For more yarn inspiration you can follow Layla on Instagram, which is where all these photos are from.

Yarn Pairings for Pom Pom Quarterly Issue 22 – Autumn 2017

August is one of those in between months. There’s still some hot days, and the kids are still on holiday, but the nights can be cool, and there are adverts on the telly for back to school supplies. Rainy days mean cozying up and thinking about the season to come, one of the most exciting seasons for any knitter. It’s sweater season of course! What better to inspire your sweater knitting, than the autumn issue of Pom Pom Quarterly?

Autumn issues are always particularly good ones, and this Issue 22 is no exception. For the first time ever Pom Pom collaborated with an outside editor, Juju Vail, to curate the patterns in the issue. You would recognize Juju’s work as she has more often than not been the photographer for the magazine and their various other projects. In this case Juju not only curated and photographed the magazine, she also sewed many of the other garments that the models wear, for a fully handmade issue! Each piece is given the full credit of pattern and fabric source to help you re-create the whole look if you so choose.

PomPom22-coverAs a knitting shop we are here for the knitting, so we’ll take a look at each pattern and match it up with some yarn to give you ideas on what you can use.

First up we have Aubusson, a brioche scarf by none other than the Queen of Brioche herself, Nancy Marchant. The pattern calls for two yarns held together, one a luxurious 4ply yarn, and the other a fuzzy laceweight, in two sets of contrasting colours. The combination creates a unique textured fabric that compliments the brioche stitch. We love the colour choices that could be found using Sulka Legato for the 4ply and Cumulus for the fuzzy laceweight.PomPom22-01

Barbicel is one of 2 cardigans in this issue. Designed by Fiona Alice, it makes wonderful use of a sheepy yarn that will bloom a lot after blocking. For a similar yarn we would recommend Tamar from Blacker with it’s all British wool blend and rustic texture. PomPom22-02

Next up is Calamus, designed by Maddie Harvey. This colourwork snood is big enough to wrap around twice for a super snuggly fit, knit in 3 colours. One of our favourite yarns for colourwork has to be Cumbria from The Fibre Co. It’s got just the right amount of tooth and texture to really pull the technique together, and of course it also has a wonderful range of colours.PomPom22-03

Diesis is a textured pullover designed by Alice Caetano using an amazing sweater yarn, Knit By Numbers DK. This yarn is a super smooshy merino that is dyed and spun in Devon by John Arbon. The sweater uses four colours, making the colour combinations endless. We currently have 6 sets of colours in the Knit By Numbers range, each with a range of 6 shades going from dark to light.PomPom22-04

The second pullover is Elibelinde by Ellinor Siljeström. The design is the epitome of a classic shape with an interesting stitch pattern. It has a relaxed shape with a textured stitch on the body and the cuffs which contrast the stocking stitch upper body and sleeves. For a really divine sweater we would love to knit it up in Kettle Yarn Co. Beyul, a blend of merino, yak and silk.PomPom22-05

Nothing says autumn like a cozy pair of mittens, and add in colourwork and you’ve got a winning combination. Herati is a beautiful pair of colourwork mittens with an allover geometric pattern designed by Sari Nordlund. The colours of Socks Yeah! 4ply would create a beautiful pair, and the nylon content would add extra durability.PomPom22-06

Overcheck is another double wrap infinity snood, with a gorgeous allover geometric double knitting pattern. Designed by Ann McDonald Kelly, it uses 2 colours of a DK weight yarn. We think it would be absolutely lush in 2 colours of Kettle Yarn Co. Islington DKPomPom22-07

Palmetto is the last of the garments, a cardigan in 3 colours designed by Emilia Jensen. The main portion of the sweater is knit in one colour, with contrast epaulets and corrugated ribbing at the cuffs, hems, button bands and collar. It uses a sport weight yarn which makes for a light sweater that isn’t going to take ages to knit. Our choice is Stolen Stitches Nua, an unusual blend of merino, yak and linen. PomPom22-08

The last pattern of the issue is Soumak, by Olga Buraya-Kefelian. This pair of fingerless mitts use traditional fair isle technique with a much more modern and graphic motif on it. The sample pair shown are knit in a high contrast black and red, but knit in a yarn like Cumbria there are endless colour combinations for any palette. PomPom22-09

Which pattern is your favourite? We have the issue available in store and online if you want to pick up your own copy.

Yarn Pairings for Rib Issue 2 – Navigate

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We’ve got Pom Pom, Amirisu, Making and Laine, which all feature beautiful knitting patterns for women, but what about our male knitters?! We are thrilled to announce that we now carry Rib Magazine, an independently published knitting magazine dedicated to men’s patterns. There are 4 pullover sweaters, 1 hat, 1 pair of fingerless mittens, 1 scarf and 1 pair of socks. The patterns are a mix of textured cables and ribs, with a bit of brioche thrown in there as well. The designs lean towards the timeless classic menswear styles, so for an adventurous knitter they could be adjusted for a more unisex silhouette as well.

As with our other magazines we thought we would do a yarn pairing round up to introduce you to the magazine and hopefully inspire your needles as well!

First up is the Caley Pullover, by Irina Anikeeva. This sweater has an upper section knit with side to side cables on the front and back for a twist on a classic. We absolutely love the idea of knitting this up in one of the semi-solid colours of Vivacious DK. Something like Tweed Imps would really shine in the stocking stitch sections. Rib_Cayley_3_medium2

Next up we have the Direction Mitts, by Ninja Chicken. These simple to knit mitts have an allover rib pattern that comes together in a motif on the palm of the hand. Knit in Blacker Swan DK, these would be soft and yet hearty enough for everyday wear. Rib_Direction_Mitts_2_medium2

The socks for this issue are Fickle Steps, by Louise Tilbrook. They mix rib and cables for a design that can adapt to fit many different shaped feet. For yarn there is only one we would suggest, it would absolutely have to be Coopknits Socks Yeah! 4ply. It has a blend of wool and nylon in loads of lovely subtle heather colours that will show off the design perfectly. With the fibre content they are sure to last a while to make all your hard work of knitting giant socks worth it! Rib_Fickle_Steps_1_medium2

The cover sweater is the Navigate Pullover, by Annie Lupton. This sweater features a modern geometric allover cable pattern on the body, with plain stocking stitch sleeves. The yarn called for, Cumbria Fingering by The Fibre Co. is such a beautiful yarn, we can’t imagine it knit up in anything else!

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Orienteering is the hat, designed by Benjamin Kudwig. It effectively combines a knit/purl texture with a simple vertical eyelet for a pattern that doesn’t come across as too lacey. We would love to see it in one of the strong colours of Wool Me Tender from Wool and the Gang.

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The third sweater of the issue is Rigging, by Fiona Ellis. This sweater has cables that form v shapes on the upper body, and a generous shawl collar. With it’s wearable design it deserves a yarn that can stand up to everyday use, something like Spud & Chloë Sweater with it’s machine washable wool and cotton content. Even better it comes in loads of colours, from eye catching brights to subtle neutrals.

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The River Rocks Scarf has inspired many of our needles already! Designed by Anca Mustea it’s a great pattern for anyone who has gotten the hang of two colour brioche and wants even more excitement! The pattern uses cleverly placed increases and decreases to create a rippling texture in the brioche rib. For a lush scarf that is soft to wear next to the skin, we would choose John Arbon Knit By Numbers DK, with so many colours to choose from the options are endless.

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Last but not least we have Survey, a pullover pattern by Catrina Frost. This sweater similarly features a textured upper body with plain stocking stitch body and sleeves, this time in an optional two-tone effect. We think that Lettlopi would be perfect for this hearty everyday jumper, and again the colour options are nearly endless with the almost 30 colours we carry!

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Rib Magazine is now available in store and online, and you can check out our brand new web shop while you are at it!

 

 

Yarn Pairings for Pom Pom Issue 21 – Summer 2017

Can you believe that it’s been 5 years of Pom Pom Quarterly?! This issue 21 marks the 5 year anniversary of the independent East London publication, and we couldn’t be more pleased for them! They have loads of celebrations planned for the year, with lots of announcements still on their way, we can’t wait to hear about them all!

Their first celebration is of course Issue 21 – the summer issue! This jam packed with 16 patterns, more than ever before. Also a first for Pom Pom, this issue has 2 different covers,  both with rose gold foil detail.

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As usual we have paired up each project with a yarn you can find at Knit With Attitude. Pom Pom have their customary KAL running in their Ravelry group, and this time of course there are more prizes than ever if you want to join in with something from this issue or any past issue.

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We love the names for the patterns in this issue, they are all different words for celebrations. First up is Anniversaire, an all over cabled sweater by Veera Välimäki, knit in a DK weight. The cables on the body are asymmetrical leaving it a modern and interesting look. We love the idea of knitting it in a lush handdyed yarn like Hedgehog Fibres Merino DK, or something more simple like John Arbon’s Knit By Numbers.

Bash-by-Linda-Dubec-Pom-Pom-Quarterly-Issue-21-Summer-2017

Bash is one of three colourwork hats in the issue, this one designed by Linda Dubec. It’s knit up in three colours of The Fibre Co’s Cumbria Fingering, a lovely blend of British wools. So many colour options to choose from! It would be fun to pick 2 neutrals and a bright pop colour, or all brights. The skeins are 100g and you wouldn’t need all of them, so there would probably be the possibility of knitting an extra hat if you swapped the colours around. The little pops of colour would be a brilliant use of leftovers as well.

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Bon Bon by Joji Locatelli is a pair of fingerless mittens with a lace textured panel and playful pompoms on the back of the hands. This pattern suits so many of our woolly DK weight yarns like Blacker Swan.

Boum-by-Sachiko-Burgin-Pom-Pom-Quarterly-Issue-21-Summer-2017

Boum, by Kiyomi Burgin is a sleeveless tank, perfect for popping on with jeans or a skirt. The shape is simple and timeless, but the stripes make it playful and give lots of room for personalization. For summer wear, a drapey yarn like Stollen Stitches Nua with it’s merino, linen and yak blend would suit well.

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Ceilidh by Julia Farwell-Clay is an all season pullover sweater, knit in a cozy DK/worsted weight yarn. For a warm outerwear sweater this would be great for winter knit up in Léttlopi, or for a more warm weather version choose a cotton/wool blend like Spud and Chloë Sweater. 

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Next up is Festoon, a pair of socks by Rachel Coopey knit up in her own yarn, Socks Yeah! We love this yarn so much, so we love seeing even more inspiration for using it. It’s perfect for socks like this, with the subtle heathering in many of the colours you get visual interest without loosing any patterning and texture.

Fete by Bristol Ivy

Fête by Bristol Ivy is another pullover sweater, with a colourwork patterned collar. The contrast colour is repeated in stripes at the cuffs and hem. A simple yarn like Excelana 4ply lets the design shine through.

Hoopla-by-Dianna-Walla-Pom-Pom-Quarterly-Issue-21-Summer-2017

Hoopla is the second hat in the issue, designed by Dianna Walla. This Scandi inspired colourwork hat would be quick to knit up in a thicker weight like Vivacious DK and has a lot of unisex appeal.

Jamboree-by-Francesca-Hughes-Pom-Pom-Quarterly-Issue-21-Summer-2017

Jamboree is a fine gauge sweater with an allover lace and stripes pattern that looks light as a feather. The sweater uses 3 shades together. It is knit side to side for a twist on construction and to keep the vertical stripes. We love the Purl Alpaca Fine for an all neutrals option, but for a pop of colour look no further than mix and matching with Blue Sky Fibers Baby Alpaca Sport. We think the 2 yarns would work together brilliantly.

Knees-Up-by-Juju-Vail.-Pom-Pom-Quarterly-Issue-21-Summer-2017

Knees-Up is an answer to the UK’s difficult relationship with summer. It’s not always very warm, but you do want to wear those summer dresses, but no tights. So these legwarmer/knee-high socks are the solution! They are the perfect use of the 2 weights of Socks Yeah! in 4ply and DK.

Rave-by-Alexa-Ludeman-Pom-Pom-Quarterly-Issue-21-Summer-2017

The design duo of Tincanknits are always favourites here at the shop, and their Rave scarf is what we’ve come to expect from them. It is simple in construction, but with modern details and visual interest that keeps a knitters attention. The combination of garter stitch and cables make for another pattern that would appeal to all ages and genders. With lots of colours in Spud and Chloë Sweater, there is something for everyone.

Sevilla-by-Thea-Colman-Pom-Pom-Quarterly-Issue-21-Summer-2017

Sevilla by Thea Coleman is a great summer wrap, and the delicate lace makes it attractive for casual and formal events. A wool/silk blend like Findley DK adds even more to the lush look of the wrap.

Shindig-by-Sachiko-Burgin-Pom-Pom-Quarterly-Issue-21-Summer-2017

Shindig is a shawl from Sachiko Burgin in 2 colours of a wool silk blend with a striped body and lace edging. Can’t you just imagine wrapping up in a shawl of Manos Silk Blend DK?

Soiree-by-Emily-Foden-Pom-Pom-Quarterly-Issue-21-Summer-2017

Cropped sweaters seem to be everywhere this summer, so Soirée by Emily Foden is right on trend. This pullover with cables running up the sides combines a 4ply wool and a mohair for a subtle fabric that softens the cables and stitches. A combination of Tamar and Sweet Georgia Silk Mist would be just divine.

Sparklers-by-Fiona-Alice-Pom-Pom-Quarterly-Issue-21-Summer-2017

The last hat of the issue is Sparklers by Fiona Alice. This hat is knit in two colours of Kettle Yarn Co.’s lush merino/silk/yak blend Beyul, and there’s enough in the skeins to knit 2 hats if the second one has the reversed colours.

Zazie-by-Anna-Maltz.-Pom-Pom-Quarterly-Issue-21-Summer-2017

Last but not least, Zazie by Anna Maltz is one of our favourites from the issue! This zig zag pattern has texture that you just want to wrap up in, and the colour combinations would be endless! How delicious would it be in 2 colours of Scrumptious Aran!

Which pattern is your favourite?

What Natalie Knits: Homeward Bound Shawl

So way back in September I had to head back to Canada again to apply for a new visa to stay in the UK. This was a relatively straight forward process, but had to be done from Canada and required an uncertain amount of time away from my new home in England and my partner. Before I left Maya suggested a collaboration with the shop to design a shawl to sell as kits when I got back. We picked out some yarn and I knit it up while I was in Toronto for 7 weeks waiting for my application to be approved.

homeward-natalieSince then we had difficulty getting our original choice of yarn back in stock, so the launch got delayed, and delayed and delayed while we waited to hear back from our supplier. It was not unlike waiting for my visa! Finally in March we decided that the best course of action would be to change yarns completely for the kits, which would mean a full pattern re-knit. Again I grabbed my needles and got cracking! This time we picked a yarn that we knew we could get in easily and where we had a more personal relationship with it’s makers, Socks Yeah! by Rachel Coopey and Fyberspates.

homeward-detail2 The resulting design is Homeward Bound, a triangular shawl knit from side to side with a bold geometric pattern using garter stitch intarsia. I have recently become enamoured with the potential of garter stitch intarsia, especially with creating these fun modern shapes. The triangles were inspired by the traditional quilt block pattern called Flying Geese, so named as it reflects the shapes of migrating birds. The name for the pattern comes from both the Flying Geese and that I knit it while waiting to return home. It uses 4 colours of 4ply yarn, with the pattern calling for Socks Yeah! It would also be a great way to use up leftover yarn, with each section in a different colour.

homeward-detail1The pattern is now available on Ravelry to purchase, and we have 3 different colour combinations available in the shop for kits. The original combination is Beach, and there is Berries and Forest as well.

We have loved the response for the pattern over the weekend, so we have decided to do a knit-a-long. It will run on Instagram from Friday May 5th to Monday the 19th of June. Any post of your Homeward Bound Shawl with the #homewardboundshawl tag in that time will be entered to win. On Tuesday the 20th of June we will pick winners from the hashtag, including in-progress pictures. Prizes to be announced later this week, stay tuned!

 

Interpretations Vol. 4

Interpretations-Volume-4-CoverInterpretations Vol 4 has arrived! This years installation to the project by designers Veera Välimäki and Joji Locatelli follows perfectly and does not disappoint. Published by Pom Pom Quarterly, it was released this past weekend at Unravel Festival

The idea behind the project is that together the designers pick 6 words and then each design a piece based on that word, for a total of 12 projects. The words for this year’s book are gather, chromatic, magic, fragile, direction and hidden. The resulting projects reveal the different interpretations of the words from each designer. While the words are in English, neither designer speaks it as their first language, which makes the cultural influences that much more interesting. Coming from opposite sides of the globe, Veera from Finland and Joji from Argentina, the book and the designs speak to the ways design sensibilities can converge with knitting wherever you are.

One of the things we love about Veera and Joji’s patterns is that they bridge the line between wearability and interest in a both practical and interesting way. They often use stripes, construction and texture to turn something that would otherwise be rather boring into a more exciting and dynamic piece.

East or West by Joji is the most obvious use of the construction and colour. The centre panel is knit vertically in rib, and then the side panels and sleeves are knit in stripes off of that main piece. This construction creates vertical stripes easily, and plays the textural stripe of the rib off of the colour stripes very effectively.

East-or-West

Another sweater by Joji, Wishes is one that may at first glance seem boring, but on second look reveals itself to be entirely practical and much more interesting than first thought. The top down sweater is knit in 4ply silk and in black, which to any knitter who has knit a sweater sounds like and endless slog! And black, how uninspiring! However, I’m sure all of us have a shop bought thin machine knit black cardigan in our closet that gets reached for regularly. Not to mention of course, that when knitting one’s own sweater there are a hundred other colours to choose from! The top down nature makes it easy to get started, and the construction of the swingy body is done through some well placed eyelet rows every couple of inches that are sure to keep the knitter engaged.

Wishes

Speaking of texture and interesting construction, Joji’s Radiate has also caught our eye. Another top down sweater, this one uses the yoke increases to create a radiating stripe with two colours in rib that also serves as a sort of ombre effect on an otherwise plain pullover.

Radiate-.Interpretations-Volume-4.-Pom-Pom-Press

We now have 30 colours of Léttlopi in stock and have been playing around with the colours, we are therefore loving the options for knitting Veera’s Double Trouble jacket! The sweater is knit in three pieces, two fronts in one colour and the back in another. The garter stitch pieces are then seamed together to create something that while completely simple can be as exciting as your colour choices. The light grey and charcoal of the original are timeless, but what about coral pink and black, or navy and light blue?

Double-Trouble

The collection is not all sweaters, there are a few accessories as well. One of our favourites is the Tourmaline snood by Veera. The ribbed texture gives way to cables of varying size for a meaty texture that is also reversible for a versatile snood to wear everyday.

Tourmaline

We have Volume 4 up online and in store right now! The books all also come with a digital download code.

Yarn Pairings for PomPom Issue 19 Winter 2016

pom-pom-issue-19-winter-2016Crispy leaves underfoot, a bite in the air, and there are mince pies for sale in the shops. Sounds like it’s time for the Autumn issue of PomPom! Issue 19 of the quarterly magazine is in the shop and online and once again it is a knockout. The 11 beautiful patterns include accessories and garments for cold weather, keeping you warm from head to toe. The theme is reflections, and all the knits feature interesting takes on symmetry, repeated patterns and colour play.

alloy-by-tatyana-scotce-pom-pom-quarterly-issue-19-winter-2016

Alloy is a brioche stitch hat with a folded brim that uses 3 colours for a subtle shifting effect. Designed by Tatyana Scotce, we think that Sulka Legato would be a good match for the drape and softness of the pattern. While brioche is a more advanced skill, this hat is a good smaller project to practice working it in the round with ease.

alula-by-clare-lakewood-pom-pom-quarterly-issue-19-winter-2016

Alula is a 2 colour shawl designed by Clare Lakewood. The pattern ingeniously uses slipped stitches to create the illusion of a fair isle or stranded design. It may look complex but this means that you only use one colour at a time! We would knit it up in one of the endless combinations of Susan Crawford’s Fenella!

calder-by-sarah-shepherd-pom-pom-quarterly-issue-19-winter-2016

Calder is another versatile scarf, this time from Sarah Shepherd. It is knit sideways, from tip to tip and features a scalloped edge on one side and a stocking stitch body. The drape of the merino/silk blend in Scrumptious 4ply would be well suited to wrapping up with this pattern.

cesium-by-sachiko-burgin-pom-pom-quarterly-issue-19-winter-2016-1

Cesium by Sachiko Bugin is one of 3 pullovers in the issue. It features textural cables up the front and sleeves against a stocking stitch background. With a slightly oversized silhouette this jumper is perfect for cozying up against the chill. A hearty yarn like Mondial’s Bio Lana would add to the effect.

ffragmentation-by-kiyomi-burgin-pom-pom-quarterly-issue-19-winter-2016

Love playing with colour? This Fragmentation hat by Kiyomi Burgin has endless possibilities! It could be knit in any number or combination of colours, you’ll never grow tired of it. We are dreaming of the colour combinations with Coopknits Socks Yeah! which has recently expanded to a total of 16 colours.

lemel-by-francesca-hughes-pom-pom-quarterly-issue-19-winter-2016

Next up is Lemel, a delicate ruched turtleneck pullover from local London designer Francesca Hughes. The texture is made by increasing and decreasing within the stripes. We think that this would be stunning in the natural shades of Purl Alpaca Fine.

maam-by-linda-dubec-pom-pom-quarterly-issue-19-winter-2016

Sometimes a sweater just won’t do, and what you really want is a jacket! Enter Ma’am by Linda Dubec. This oversized cardigan is knit in a chunky yarn on a smaller needle to create a dense and warm fabric. We think that Erika Knight Maxi Wool would be perfectly suited to this!

ondeto-by-solene-le-roux-pom-pom-quarterly-issue-19-winter-2016-1

Texture, winter and scarves just go together perfectly don’t they? This Ondeto by Solène Le Roux is full of twisted ribbed cables that make a squishy fabric. Knit up in Kettle Yarn’s Islington DK you’d have a hard time taking it off!

palindrome-by-julia-farwell-clay-pom-pom-quarterly-issue-19-winter-2016

It’s easy to get bogged down with layers this time of year, so it’s good to change things up with pieces that are light as a feather, but still create warmth. The Palindrome scarf by Julia Farwell-Clay ticks all those boxes. The stripes hold your attention while you are knitting and while you are wearing it. The Sweet Georgia Silk Mist would make it even more luxurious.

tallat-by-justyna-lorkowska-pom-pom-quarterly-issue-19-winter-2016

The last sweater of the issue is Tallat by Justyna Lorkowska. This is a thuroughly modern sweater, with a split hem, dropped shoulder and fitted sleeves on a boxy silhouette. We love the touch of feminine lace on the turtleneck. This would be soft and cozy in Wool and the Gang’s Wool Me Tender.

vanishing-point-by-georgia-farrell-pom-pom-quarterly-issue-19-winter-2016-flatLast but not least, no winter issue would be complete without a pair of mittens. Vanishing Point features an all over texture stitch and twisted rib cuffs that are sure to catch anyone’s eye. They design would pop in Blacker Swan.

What’s your favourite pattern?