Yarn Pairings for Interpretations Vol. 6

The popular design duo of Veera Välimäki and Joji Locatelli have come together again for another super edition of Interpretations, now in it’s 6th volume! The Interpretations series is the work of two friends, one from Finland and the other from Argentina. Each volume is based around 6 words, these 6 words give the inspiration for 12 designs. The words inspiring this issue are: Courage, Glee, Silence, Rapture, Connection and Scale. Each designer producing a design inspired by each word. This issue has a textural monochrome feel, with large shawls that have extensive pattern repeats and cosy tops with a relaxed and comfy fit. Working with the same starting point, the identity of each designer can really shine through, bringing a unique twist and personality to each piece.

Interpretations-Vol-6-coverThere is something available from head to toe in this issue, so below I have taken a look at the designs and put together some yarn pairings.

Courage:

Interpretations-Vol-6-05The Moonquake Cowl by Veera Välimäki is a graphic brioche cowl. Who doesn’t love brioche? Giving you dynamic vertical stripes and making such a wonderful squishy fabric, perfect for accessories like this. Mixing it up, the brioche rib flips and in doing so the dominant colour flips. Perfect for playing with those high contrast yarns. This pattern calls for a Hedgehog Fibres, try in contrasting tones of Hedgehog Fibres Skinny Singles for a looser gauge knit.

Interpretations-Vol-6-07The Resolute Wrap by Joji Locatelli is a massive all over lace, arrow shaped shawl. Chevrons of a bold graphic lace repeat are broken repeatedly by a few rows of garter stitch. This gives structure and direction to the shape, while also anchoring the eye and avoiding an over saturation of pattern. This would look beautiful in the slightly variegated tones of Fyberspates Vivacious 4ply.

Glee:

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The Wintergate Beanie by Veera Välimäki is a compelling all over cabled design. Featuring large and small cables that intertwine. It is like a pocket sized cabled sweater with interesting shaping and intriguing pattern. Giving you the fun of a cabled project but without the marathon of a large garment. Knit in a sport weight, try Blue Sky Fibres Alpaca Sport, for a hug your head deserves.

Interpretations-Vol-6-04The Moonlight Socks by Joji Locatelli makes use of a strong graphic pattern repeat along the front. Complex without being too fussy, while also being interesting to knit. Knit in five different shades to create a faded design, with a great colour palette to choose from try picking a gradient from the selection of Coopknits Socks Yeah!

Silence:

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The Hidden Sweater by Veera Välimäki is a delight in monochrome textural work. The yoke doesn’t employ two colours for effect, but is drained of colour. Leaving the essence of a yoke behind. That doesn’t mean it’s boring, but instead is striking. The texture of the stitches are allowed to bring their own colour. Toped off by it’s relaxed fit and rolled neck, it is also comfy. Try the luscious softness of The Fibre Co. Cumbria.

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The Understated Sweater by Joji Locatelli is a classic example of Joji’s ability to make effortless and wearable pieces. The simple boxy low-cut top is the perfect layer over a shirt. It’s smart shape is highlighted by a modest rib detail along the shoulders. Try this in Fyberspates Vivacious DK.

Rapture:

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The Smoke and Amber Wrap by Veera Välimäki has the perfect name. Ribbons of cable fill this shawl, but they also change direction along their length. This creates a texture that beguiles the eye, taking it on a journey and losing it, like being lost in fog or not quite making out something through a haze of smoke. I would be tempted to knit this in Kettle Yarn Islington DK, it’s sheen would catch the light and highlight the cables beautifully.

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The Ravishing Vest by Joji Locatelli is a graceful long cardigan. It’s elegant shaping would make the perfect layer over summer dresses, when the temperature cools in the evening. The sophisticated shaping is given form by textural stitches that change style at the waist, playing with the silhouette of the body. Knit in a sport weight merino/silk blend try it in Scrumptious 4ply/Sport.

Connection:

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The Frozen Fields Shawl by Veera Välimäki, like is namesake, has an air of the crisp frost that settles on the ground in the morning. Garter stitch ridges have a great effect here, becoming almost structural against the lace panel repeat. The lace itself separates, giving character and interest to the overall design. Knit in a subtle gradients of Ninapetrina Tynn Rosy Merino, a slightly heavier gauge but the colours are oh so perfect.

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The Community Tunic by Joji Locatelli features a bold yoke with strong graphic shapes, moving away from the traditions of a complicated pattern repeat. Simple yet bold the yoke gives this top a strong modern feel, without being austere. Long in the body it would make the perfect layer over leggings, what’s even better is it has pockets. Stylish yet practical. Try Hey Mama Wolf’s Schafwolle #03 for a sturdy practical top.

Scale:

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The Saltwater Coat by Veera Välimäki is a practical cardigan, making the perfect layer. Short oversized sleeves make this garment roomy while also stopping it being cumbersome. Knit in reversed stocking stitch, it makes use of the textural purl side and it also has a pair of good sized pockets. Knit the in this in the cosy Hillesvåg Blåne.

Interpretations-Vol-6-02The Evolve Shawl by Joji Locatelli is a texture lovers dream, while also having the joy of fading yarns in a harmonious way. A bold elongated triangle is made graphic by the triangle shaped stitch repeat, bringing subtle angles along its length. Between colours is an even bolder garter ridge striping which breaks the pattern repeats in a striking way. Knit like this in three distinct speckled monochrome colours, the end result is vivid and elegant. This design calls for the moody shades of Black Elephant Merino Singles.

This issue has a gentle feel, strong designs, but with a sensitivity. Colours are muted and understated and the pieces are wearable and practical. A lovely issue that I hope will inspire many creations.

Yarn Pairings for Pom Pom Quarterly Issue 28 – Spring 2019

It’s really starting to feel like spring might not be that far away, here in London. The sun is shining and it feels unusually mild. What better way to celebrate this feeling, than delving into the latest spring issue of Pom Pom. Aptly themed for this time of year, this issue is ‘The Botanical Issue’. Designers were given the theme of flora, looking to nature and plant forms for their inspiration.

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So we have nine knitting and crochet patterns, plus articles and recipes. All exploring the botanical theme. I’ve put together some yarn pairings from the shelves of Knit With Attitude, so lets take a look at these natural wonders!

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Sweetfern by Liza Laird and Kate Madden is a cute slouchy brioche hat. Taking the characteristic use of two colours that brioche offers, while also bringing in stitch shaping for that natural leafy vibe. A trailing vine motif runs from the rib to the crown creating a bold and graphic design. Choose two contrasting colours of Hedgehog Fibres Skinny Singles for maximum effect.

Davallia-by-Isa-Catepillan-Pom-Pom-Quarterly-Issue-28Davallia by Isa Catepillán is an interesting cover up shawl-cum-jacket. This crocheted piece is full of drama. A large tasseled fringe hangs from an elegant lacey body. It reminds me of the dappled light through the trees. It would make a great layer for spring days and cool summer nights. Choose a light yarn with a plant fibre content like the linen blend of Stolen Stitches Nua.

Adiantum-by-Kelly-Ordemann-Pom-Pom-Quarterly-28Vines trace the shape of the yoke in Adiantum by Kelly Ordemann. A playful use of pattern, the plant motif radiates from the neck giving the appearance of a necklace of ferns. With clever shaping, it is also flattering to wear. A plant themed top like this calls to be knit in a plant dyed fibre. Choose Hey Mama Wolf’s Sockyarn #04 in its dreamy natural shades.

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Another crochet offering is Water Clover by Isa Catepillán. A stunningly elegant crochet top with lacey star details. A simple shape made all the better by the pattern repeat. Crocheted in a cotton, linen blend try The Fibre Co Luma which has a soft light papery feel which is perfect for wearing next to your skin. This top will definitely see you into the summer and beyond.

Aurea-by-Stella-Egidi-Pom-Pom-Quarterly-Issue-28This dramatic shawl is the Aurea by Stella Egidi. You cannot get a design that is more close to nature. Leaf and reed motifs sit side by side to create a pattern repeat that is reminiscent of a forest canopy or leafy woodland floor. Knit in a merino single try Hedgehog Fibres Skinny Singles or a bunch of Black Elephant Minis.

Vivarium-by-Amber-Platzer-Corcoran-Pom-Pom-Quarterly-Issue-28Vivarium by Amber Platzer Corcoran is a fun colour work jumper, with a selection of bold graphic plant motifs. Vivarium takes its name from terrarium structures used for holding plants and means ‘place of life’. This design allows a fun juxtaposition of colour through the botanical elements and with a relaxed drop shoulder fit, it will be the perfect cosy spring evening layer. Colour work projects scream out for Hillesvåg Tinde in a great range of colours you will find the perfect greens!

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Ginkgophyte by Emily Greene is worked flat and seamed, with sleeves worked in the round. With a bold central detail that is repeated on the back and accentuates the simple form. Short sleeves make this the perfect spring garment, for when the days get longer and the promise of summer is just around the corner. Choose the cool and super soft Kettle Yarn Beyul for this, a lovely light yarn perfect for wearing next to your skin.

Woodwardia-by-Lydia-Gluck-Pom-Pom-Quarterly-Issue-28Woodwardia by Lydia Gluck is a top down raglan jumper with a cosy rolled neck and with a lovely vine detail running along the raglan seams. We all know spring weather can be a little unpredictable so this cosy jumper will become a wardrobe staple. Try this in the soft Vivacious DK.

Filix-by-Judith-Brand-Pom-Pom-Quarterly-Issue-28Filix by Judith Brand are stylish crocheted fingerless gloves. A graphic abstracted fern chevron motif runs along the back of the hand. These fingerless gloves are the perfect size for keeping out the evening chill by extending over the wrist. This pattern calls for a silk, merino blend so try Scrumptious 4ply.

I hope these suggestions get you excited and ready to spring into spring. This is a very calm and gentle edition of Pom Pom with subtle details carrying the theme. A collection of interesting but also wearable pieces.

 

New Yarn: Àrd-Thìr by Kate Davies Designs

It’s a pleasure to introduce Àrd-Thìr a new Aran weight yarn by Kate Davies in collaboration with one of our favourite yarn producers Fyberspates. It will not disappoint, such an amazing colour range and feels wonderful.

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Àrd-Thìr means Highlands in Scottish Gaelic and you couldn’t get a better name than that. A combination of 60% Peruvian Highland Wool and 40% Superfine Alpaca, it is produced in the Peruvian Highlands. But it’s colour inspiration comes from the Scottish Highlands. To be more specific the Scottish winter landscape. In 10 shades, Kate Davies says of her colour choice:

‘Our winter landscape is often thought to be drained of colour, but if you look carefully, you’ll discover a mix of many interesting shades: from the deepening russet tones of bracken-covered hillsides to the luminous hues of lichen hanging from bare branches; from the glancing orange glow of sunlight across high rocky peaks to the extraordinarily rich colour of a sealoch under a leaden Februrary sky. Each of the ten shades I’ve designed is a subtle, muted marl; each possesses its own depth and tonal variety; some can be combined into intriguing gradients, and all work together harmoniously as a range.’

This approach to the colours adds a richness and complexity, which would not only be fun to knit, but also produce beautiful knitwear.

Àrd-Thìr is worsted spun aran weight yarn. The combination of fibres make it well rounded, soft and squishy. It feels amazing next to the skin and would be perfect for many garments and accessories. I’m thinking oversized snuggly cabled jumpers or warm textured scarves. It would knit up to make something warm and cosy and would be perfect for textures, cables and colourwork. In 50g (65m/75yd) skeins it is the perfect yarn for when a little bit of a contrast colour or a colour work motif is needed. The possibilities are endless. There is something comforting about having a nice aran weight project on your needles in winter. Quick to knit and satisfying, it makes a change from all those 4ply projects!

Kate Davies has released two patterns for this yarn, so you can drool over them and take some inspiration. One hat and one pullover. This gives you a chance to see how the yarn knits up and maybe start planning that next project.

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The Weel Riggit Pullover is an all over colour work jumper, featuring a simple repeating pattern making the full use of the complimentary tones in Àrd-Thìr. Riggit in Scots and Shetland dialect means “rigged out” or “dressed”. To be “weel riggit” is to be well dressed. What better name can there be for this handsome jumper.

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The Weel Riggit Hat lets you sample the colour combinations of the jumper but in this smaller project. Using 4 skeins in 4 different shades to produce the perfect winter accessory. A fun project for having a play with your favourite colours.

I hope the rich tones in this yarn will help you chase away the winter blues and get knitting something cosy and warm.

Book Review – Knit How From Pompom

We love the pompom quarterly magazine and editors Meghan Fernandes and Lydia Gluck have a great eye for a detail. But have you ever felt intimidated by some of the patterns you see, or stuck just knitting the same scarf over and over and wondering where to go next. Well this is the book for you. Knit How, Simple Knits, tools and tips is the perfect guide for the novice knitter.

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Taking you from the very beginning of knitting you will learn, casting on, the knit and purl stitch and casting off. You then learn through a series of projects, 10 in total, each taking you through a new skill. Starting with the simple, weaving in ends, swatching and blocking.

New stitches are introduced through other projects, like cowls with different stitch patterns. Hat’s cover knitting in the round, cables in a scarf project. Larger projects like jumpers are also included, as well as socks and a little bit of lace. Before you know it you will have the confidence to take on any project.

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Beautifully illustrated throughout with photographs and drawings, taking you step by step in a clear and simple way. You will be introduced to a variety of knitting terminology and charts. This will give you a knitting skill set that you can apply to any pattern you may come across and throughout the book.

Let’s take a look at some of the patterns inside, to whet your appetite at the knitting potential in your hands.

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Ce – Fingerless Mitts. A DK weight simple pair of fingerless mitts to test you newly learned skills. Worked flat and seemed, they are a classic way to keep your hands warm.

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The Mary, Bobby and Juju Cowl’s let you play with texture, learning different pattern repeats to create a different look over this simple accessory.

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The Alice scarf introduces you to cables in a manageably sized project.

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There are even these Chris and James jumpers. A perfect beginners jumper to hone your skills on sizing and shape.

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These Rachel socks are a great way of taking some knitters fears of knitting in the round by making these Simple DK weight bed socks.

So if there are any projects out there you wish you had the skills for, then this book could help you on your way. Also if you are new to knitting or want to inspire a friend to knit, then  this would be the perfect place to start. I predict it will become a go to guide on knitting for years to come.

 

 

Time for a new Project – Inspiration for Plumpy By Andrea Mowry

Sometimes those patterns come along and I think wow, I would love to give that a go. This pattern is no exception, I have seen it popping up over instagram recently, as the buzz starts to spread. It’s Plumpy by Andrea Mowry. We all know Andrea as the Queen of Fades, with popular patterns like So Faded and Find Your Fade. But she is also a master of texture, as seen in Wool & Honey and Birds of a Feather. But I think Plumpy plays to all of these strengths.

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Knit in Garter Stitch and Brioche, you already know its is going to give you oodles of possibility to play with colour. In a practical asymmetrical triangle shape, its the perfect wrap to keep your neck warm this winter. What I really like about it, is it’s DK! I think there is a massive trend for 4ply shawls which leaves our beautiful DK yarns a little neglected. But don’t worry they won’t be neglected for much longer!

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You can play with three or four colours in this shawl, so I have put a little inspirational colour palette together using: Hedgehog Fibre Merino DK and Fyberspates Vivacious DK. These hand dyed merino yarns play together beautifully, allowing you the opportunity to contrast speckles and solids in interesting ways. I love pairing these two yarns together and find myself doing it over Fyberspates and Hedgehogs 4ply bases as well.

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From left to right – Hedgehog Fibres Merino Dk in Seed, Cereal, Fools Gold / Fyberspates Vivacious DK in Sunshine.

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From left to right – Hedgehog Fibres Merino Dk in Monarch, Hawk, / Fyberspates Vivacious DK in Copper Tones, Peach Bellini.

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From left to right – Hedgehog Fibres Merino Dk in Genie, Beach Bunny, / Fyberspates Vivacious DK in Sea Glass, Deep Aqua.

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From left to right – Hedgehog Fibres Merino Dk in Heyday, Pistachio / Fyberspates Vivacious DK in Heavenly, Mixed Magentas.

I hope that this has got you craving a cosy DK shawl to wrap up in. There is something so plump and inviting about Merino Yarn in a DK weight, I just want to dive straight into this project!

Book Review – Strange Brew by Alexa Ludeman and Emily Wessel of Tin Can Knits.

Alexa Ludeman and Emily Wessel, the Canadian duo behind Tin Can Knits, have been working together since 2011. One living in Canada and one living in Scotland, they work together producing knitting patterns, from the very simple, to the challenging. All with their trademark clarity, making them easily accessible for anyone from novice to expert. With a great database of knitting techniques and tutorials they help demystify that tricky knitting jargon, giving you the skills to tackle any project.

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They have done it again with this great book: Strange Brew. Inspired by a family trip to Iceland they have gone all out colour work yokes. But this is more than a collection of patterns, it’ is a tool for you to create yoke sweaters in any combinations. Yarn weight, colour, pattern, they have calculated it all. Also, what Tin Can Knits does well is there are 25 sizes! Thats right, 25 sizes over 3 different gauges, there is something here for the whole family, from newborn to 4XL.

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The idea for Strange Brew was to give you the tools to produce any yoked sweater. The instructions are simple: Choose a Size, Choose a Yarn, Choose Top Down or Bottom Up, Choose a Motif and get knitting! You are taken through every stage of construction from yoke shaping, pattern placement, increases and decreases, swatching, steeking with all the numbers worked out. I can’t tell you how clever it is.

There are also patterns worked out for you, with projects that are good to go, exploring various patterns over different yarn weights. From hats, cowls and plenty of jumpers. Here is a selection of what you can find inside.

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Marshland is a fun jumper with an exaggerated yoke pattern. A jumper like this gives you endless possibilities to play with colour and pattern.

strangebrew04Fleet is a great project for the first timer in colour work. It also acts as the perfect swatch or a test run for colour ideas.
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This is the Compass Cowl. Another great one for a colour work novice who is intimidated by a larger project. Use this one to test Ideas or swatch for the Compass Sweater which is also in the book.

With such a great selection of patterns you need some great yarn ideas. We have a great range of yarns that have a wide range of colours, making them perfect for colour work. Here are a few examples to get you started:

Hillesvåg Ullvarefabrikk in Sølje, Tinde and Blåne for an earthy 4ply, Dk and Aran weight.

John Arbon Knit by Numbers for a soft Dk weight Merino in lots of dreamy shades.

Lopi Lettlopi for the classic Icelandic feel. With a great range of colours that love colour work.

I hope that has given you the colour work bug. I can’t recommend this book enough, it’s an exciting combination of all the colour work possibilities you have ever imagined.

 

Yarn Pairings for Pom Pom Quarterly Issue 27 – Winter 2018

This is a sumptuous and rich issue of Pom Pom. Think warmth, heavy cables and some opulent victorian styling. This issue is a collaboration with Norah Gaughan who is involved as guest editor. She worked with the idea of tough Victoriana. Not the traditional notion of the delicate lady surrounded by flowers, but a woman of strength and resilience, a warrior.

I’ve gone through the patterns in this issue and put together some yarn pairing suggestions, to get you inspired.

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First up we have Arbor Vitae by Joji Locatelli is a top down seamless sweater with a striking cabled yoke. Knit in an merino single this is calling for Hedgehog Fibres Skinny Singles. Choose one of the deep moody semi solid shades like Plump, Spell, Raven or Copper Penny. A fun touch you can add at the end are these little tassels.   PPQ27_WINTER18_ArborVitae_JojiLocatelli_0644_WEB_medium2

Next is Ataraxia by Linda Marveng is a dramatic cardigan, knit in pieces, then seamed. Richly textured and with a lot of detail. Knit in a silk blend it would look stunning in Kettle Yarn – Islington DK with its rich colour palette to choose from.

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Next is a jacket, the Christabel by Andrea Rangel. Knitted in a tight gauge this jacket will be structural and warm. Knitted tightly to give a dense fabric that holds it’s shape. A tough wooly yarn I think is required here, like Hey Mama Wolf – Schafwolle #03.

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Next the Galewood by Honor Adams. An intriguing pair of mittens worked in the round with an interesting braided detail running along the length. A fun yarn full of colour will make these really stand out. The range of brights and neutrals in Garnsurr – Søkke Merino will give you plenty to choose from.

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Nightingale by Norah Gaughan, is incredibly opulent sweater featuring dramatic cables, gathered sleeves and a picot neckline. Incredibly rich and inviting, it needs a yarn with good definition. Try Spud & Chloé Sweater.

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Nimue by Cirilia Rose is an oversized but flattering slouchy top, which is perfect for adding layers in the cold weather. A cable motif in the centre, which is framed by the interesting angle of the sleeves. Try this in the Fibre Co – Luma.

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Cables seem to characterise this issue and Nonesuch by Veronik Avery uses them in a a clever way. Running along the front and on the back they create a pleasing shape. Flattering and cosy.  Hillesvåg – Tinde with its array of rich colours and great definition would be perfect for this

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Osmunda by Boadicea Binnerts is a bold design, with an impactful bobble pattern on the lower arms. This jumper is all about the texture, contrasting stitches in the body create a playful shape. Knit in a chainette yarn Du Store Alpakka’s – Hexa is a flexible choice which will give you great drape and is oh so soft!

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Sojourner by Xandy Peters is a classic triangular shawl. Simple, but with a stylish use of stitch structure, it’s guaranteed to be a go to layer this winter. Choose two complimentary colours for a subtle look. Knit in a Yak / Silk blend, it has to be Ketle Yarn – Beyul with its rich array of colours it will lend itself perfectly to a sophisticated wrap.

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Willowwood by Caitlin Hunter reminds me of leaded glass windows. With drop shoulders and generous sleeves that also feature another trademark of this issue, bobbles! Again this is knit in a chainette so go Du Store Alpakka’s – Hexa, with a wide range of colours that will suit the pattern.

This issue is definitely worth a look, in it’s photography alone. Its stunning and opulent and the over the top designs will become pieces that last forever. I hope you are inspired to knit some.

 

 

Yarn Feature: Garthenor Number 1

We have had this yarn for a little while at Knit With Attitude and it’s really nice to revisit it and give it it’s time in the limelight.

If you are looking for organic and British, Garthenor is for you. Starting in the 1990’s Garthernor produced wool from their own flock, as they grew they have expanded into buying fleece directly from farmers around the UK. Their mission is to promote and provide a variety of sustainable, organic & British wool products in an ecologically responsible way. Through this they aim to help secure the future of British organic agriculture and the British textile industry.

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Garthenor Number 1 is an undyed, wooden spun, single ply, lace weight yarn. It’s has the biggest range of shades of any undyed yarn we carry. Eleven in total! All eleven colours are produced by blending just eight different colours of fleece, giving a yarn with a wonderfully heathered depth. This yarn is perfect for garments as well as accessories like shawls and hats.

It’s always nice to have a little look at some patterns. Here is a selection below to get you thinking about your next project:

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Amory by Isabell Kraemer is a uncomplicated, seamless top down jumper. With its simple neckline and lace bottom, it’s elegant but wearable. The lightness of the yarn making it the perfect jumper for adding layers.

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Vederlicht by Cello Knits. These cosy leg warmers, or arm warmers, are perfect for adding that extra layer for winter. Whats better is they only take one 50g skein.

P1260315Mahy by Karie Westermann. A classic triangle shawl with bold lace panels. Garter stitch rows making perfect use of Garthenor’s earthy qualities.

I hope this post gets you excited about knitting with lace. It’s earthy texture and colour will lend a warm tone to anything knit in it. Giving you a light but rustic fabric.

Marled Projects and more and how to stash dive with success!

We are all getting starstruck by all the marled and exciting patterns being released at the moment and a lot of you have been asking me for colour ideas and options for putting together great combos. Stephen West is at the forefront of marled designs at the moment. With patterns like the Marled Magic Sweater and the Marled Magic Cardigan. But a Marled effect can be added into any project. If you treat two strands of fingering/4ply held together as a worsted weight you are good to go and can apply a marl to any of your favourite worsted patterns.

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Marled Magic Cardigan by Stephen West

There are many ways of approaching a marled project. Do you start from scratch? Do you curate your stash and pull out colour themes? Do you chose one base colour to tie things together? Or do you throw everything you have at it? Well the possibilities are endless. What’s freeing about a marled project is that there really aren’t any rules. You can play with different fibres and to some degree different weights. You don’t have to stick to the same brand, but can go with your heart. Below I have put together some ideas and thoughts that you might find useful for your own marled projects.

Building a marled project from scratch

If you are looking to build up a selection of yarns and don’t have any stash lying around to throw into the mix, then this first section is for you.

I shall use the example of Stephen West’s latest Marled Magic Cardigan for this first marled section. This is how I would approach it, but everyone has their own take on things.  It is recommended you have between 750 – 1300g of yarn for this project with between 150 – 200g of each yarn to be used in the collar and cuffs. So here we go!

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Keeping it bright! You can almost approach a marled project like you would a faded project. But unlike a fade where you want one skein to blend into the next a marled project can be a little more extreme. With this one I have chosen the Hedgehog Fibres Kidsilk Lace – Plump and the Garnsurr Søkke Merino – Gryteflaks #18 held together for the collar and cuffs. I’ve then picked some favourite colours starting with Garnsurr Søkke Merino – Gryteflaks #19. I then let the skein decide where I go next. Plenty of speckles in these hand dyed’s give multiple avenues for combination. Which has led me to get quite nerdy about yarn!

Yarns pictured above, from left to right:

Hedgehog Fibres Kidsilk Lace – Plump, Garnsurr Søkke Merino – Gryteflaks #18, Gryteflaks #19, Sneivin,  Hedgehog Fibres Twist Sock – Raku, Sorbet, Garnsurr Søkke Merino – Preinas, Hedgehog Fibres Twist Sock – Gossip, Garnsurr Søkke Merino – Gryteflaks #18, Hørningen,  Hedgehog Fibres Twist Sock – Bubble, Deja Vu and then back to Garnsurr Søkke Merino – Gryteflaks #18.

With this combination I was trying to evoke a feeling of the original colours.

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In the image I have broken down a section and shown how the colours link up. I feel working in this way would give a good framework to build up a selection of yarns. You don’t have to knit them in any particular order, but there is a thought process in the choosing, that helps you wade through the endless variety out there. There is infinite array of colour and colour combinations, but looking into the colour make up of a skein of yarn can really help when trying to find the perfect combination.

Starting on the left I have Garnsurr Søkke Merino – Gryteflaks #18 with its reds to almost creamy, peachy orange. This colour is then picked out to link into Hedgehog Fibres Twist Sock – Sorbet, which has a peachy base flecked with other colours. This technique is repeated by the end three, where pinks and greens unify them. But they also open up other colours, like blue and black. In this way you are building a selection of colours that focuses in on smaller details in the yarn as well as bigger ones. Allowing you to go on a journey of colour, that might lead to unexpected results.

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Keeping it mellow. In this combination I have really gone for a colour theme. You will end up with a more uniform marl, in a combination like this. Picking a colour family and playing around it is a fun way to work. It allows you the opportunity to work with your favourite colour, or not, if you want to push your boundaries. The more you look at a colour the more you will see how many colours lie within it’s boundaries, giving you a rich overall palette to play with.

If you are working in this way and sticking to a particular range of colours, I think it is important to choose plenty of light and darks. This way the combinations will remain interesting and not become to similar or dull. In the same way I think a few colour pops within a skein is a good idea. Like the yellow that appears in Garnsurr Søkke Merino – Æsjbikkje and the pinks and blues that appear in Hedgehog Fibres Twist Sock – Hawk and Garnsurr Søkke Merino – Frevil / Shauparak. These pops will shine out in marled fabric, where a few zaps of contrast colour playing against a monochrome background.

Yarns pictured above, from left to right:

Hedgehog Fibres Kidsilk Lace – Cereal, Fyberspates Vivacious 4ply – Silver and Bronze, Hedgehog Fibres Skinny Singles – Scilence, Crystal, Garnsurr Søkke Merino – Fonne / Bered, Æsjbikkje, Gryteflaks #10, Gryteflaks #10, Fyberspates Vivacious 4ply – Verdegris, Hedgehog Fibres Twist Sock – Hawk, Garnsurr Søkke Merino – Gryteflaks #19, Hedgehog Fibres Twist Sock – Cereal, Garnsurr Søkke Merino – Frevil / Shauparak

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And because I like doing it, here is the colour break down for a section of this one. You can see the combination of lights and darks with a few little colour pops like the yellow and pink. It may even need something white/cream or a very pale blue to lift it slightly.

Using stash yarns and curating a colour theme

We all have a bunch of half skeins and end of project balls of yarn hanging around and a marled project is perfect for using these up, no matter what quantity you have. Even if you feel your stash is a little random and won’t go together there will be that perfect skein that will unite them. One way of getting around this problem is curating your stash into colour themes and families. I have tried this with parts of my stash below and mixed in various Knit With Attitude yarns. Any caked yarn or yarn in a ball in the below pictures are ones I have pulled from my stash, around which I have placed complimentary yarns I think work well.

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First up we have this pinky purple number. I am still with the idea of creating the Marled Magic Cardigan pictured at the beginning of this post. This cardigan has a contrast, or at least a very defined collar, cuffs and hem. To stick with the theme I have gone with Hedgehog Fibres Kidsilk Lace – Iris and Fyberspates Vivacious 4ply – Heavenly. They draw on the purple theme but keep it light, this way I hope they offset the body colours and make them pop.

I have some orange and pink and pinky oranges in my stash I didn’t think they would necessarily work in this project, until I saw the Garnsurr Søkke Merino – Annsam skein, perfection! Marled at different points in the project this will bring a nice theme of pink and orange, throughout. The deep purples in the middle really spoke to some of the purples I had in my stash along with a few creams. The pinks range from neon to a more muted dusky pink, complimenting and working with the pinks I already have.

I would recommend not knitting them in the order that is show in the image but chopping and changing throughout the project. This way colour themes will appear and disappear throughout the knitting. As it is marled you will then avoid getting clumps of a dominating colour and end up with a more even project.

Colours I have used around my stash from left to right:

Hedgehog Fibres Kidsilk Lace – Iris, Fyberspates Vivacious 4ply – Heavenly, Garnsurr Søkke Merino – Annsam, Krilla, Hedgehog Fibres Twist Sock – Plump,  Garnsurr Søkke Merino – Jarbær, Hey Mama Wolf – Sockyarn #04 Minis – Madder, Garnsurr Søkke Merino – Ortle / Mihifar.

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I feel this one doesn’t need a colour break down, even though I enjoy making them. It’s green, oh green! If you haven’t guessed it’s my favourite colour. So my stash is full of it. We all have a favourite colour so naturally our stash is going to be full of it. Why not embrace that and indulge in your colour love. I’ve fallen in love with this combination, it’s like a mossy forest floor, I am so tempted to knit it myself.

With this combination you will end up with a very subtle fabric. Each colour melding into one another. Some say it is safe to go with the same colour, I say it’s well informed. With these combination I would probably make sure I was always holding a solid with a speckled, that way the solid gets enlivened by the changing colours of the speckle. But here there is a good combination of light and dark and it shows you the real variety you can get in a colour.

Colours I have used around my stash from left to right:

Hedgehog Fibres Kidsilk Lace – Parklife, Garnsurr Søkke Merino – Preinas, Hedgehog Fibres Twist Sock – Cereal, Garnsurr Søkke Merino – Løpp, Kettle Yarn Co Beyul – Shrub, Garnsurr Søkke Merino – Gryteflaks #11, Hedgehog Fibres Twist Sock – Parklife, Kettle Yarn Co Beyul – Jade

 

Using one colour to unite a random stash

Not all of our stash is coordinated and if you are desperate to use of every last scrap of those random ends of yarn then this method might be good for you.

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Choosing a colour that you think might tie a project together like this Coopknits Socks Yeah – Azurite in this one.  This way no matter how random your other pieces might be, there will always be one constant. Here I have pink, yellow, grey, green, purple! They may look random like this, but knit up the blue will catch the eye, bringing harmony to the project. With this selection you can further reinforce the theme by sticking to the same colour for collars and cuffs.

I’ve tried to illustrate this idea with the blue throughout, giving the marl a base colour which then brings unity to the other colours. It also means you can indulge in your favourite colour and let that be the colour that shines through the project.

I hope that you find some of these ideas of approaching a marled project useful. From building a collection of yarns from scratch, from curating your stash into colour themes or even uniting a random stash. Marled projects are a great way to use up leftovers but also great to let you branch out into other colours you might not necessarily use. These projects are about having fun, so get stuck in and throw everything you have got at it.

New Yarn: Kettle Yarn Co. – Ramble

The beautiful shades and consciously sourced British fibres are what makes Kettle Yarn so wonderful. Linda always amazes, with her interesting blends and eye for colour. Ramble is definitely up there, and typifies these strengths.

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Ramble is a small-batch British yarn. Spun from the finest graded fibres of British Shetland and Romney sheep. 100g of a fingering/4ply weight woolen spun yarn. Woolen spun, giving this yarn a plumpness to the twist, that is light, springy and also lofty. Drawing on a centuries-rich history of sheep rearing and wool production from the Shetland Isles and England’s smugglers paradise, Romney Marshes. The fibre is sourced directly from the farmers, spun and dyed in the UK and with with very little processing. Giving you a stunning heathered yarn, with a rustic feel in the hand, that blooms beautifully.

A perfect toothy yarn that will perform well over colour work projects, but also giving good definition on twisted stitches and cables. With a flexible gauge, that knit densely, will give you a warm and durable fingering/4ply weight. Knit loosely, will give you a more bouncy sport to DK weight, the wooden-spun yarn filling out the looser fabric.

If you are looking for some inspiration for this yarn, then look no further. We have put together a selection of patterns to get you inspired:

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Tender by Melody Hoffmann is a simple shawl that is all about the texture. It shows you Ramble’s strength in holding definition. Simple garter stitch, with some chevron panels, build up to create an eye catching subtle fabric. Knit in three skeins of Ramble, shown here in Hawthorn, the pattern is easily adjustable to go larger.

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Atlantic Avenue by Kirsten Kapur is a three colour triangle shawl, with a body of colour work and ending in a bold, statement colour band. Use the gorgeous shades of Ramble to mix and match your own. The example show is knit in Meadowsweet, Nightshade and Hawthorne.

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If you are thinking of sweaters, then what about East or West by Joji Locatelli, here knit in Ramble by Linda of Kettle Yarn Co. Shown here in colours Nightshade, Meadowsweet and Gorse, Ramble is a versatile yarn for all kinds of sweater projects.

If you are looking for a yarn and are passionate about British, then this is the yarn for you. Small scale, conscious and beautiful, what more do you need for your next project!

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